Lucy Harrison
*1974 UK


1997 - 1999 MA Fine Art (Printmaking) at the Royal College of Art, London
1994 - 1997 BA (Hons) Graphic Fine Art at Canterbury College of Art


2004 Family Sagas, Northern Gallery for Contemporary Art, Sunderland
2003 Please Take One, 39, London
Good Quote, the Library, Kent Institute of Art and Design, Canterbury
A Reader, DomoBaal Contemporary Art, London
2002 x mistakes y for z, Rotermanns Salt Storage Centre, Tallinn, Estonia, and Kilpkonna Gallery, Viljandi, Estonia
Picsel, for G39, Cardiff
Year project in Am Anfang Der Bewegung Stand Ein Skandal Munich
Lightbox, Herbert Read Gallery, Canterbury
2001 Never Look Here, Foyles Bookshop Gallery, London
Index, Stoke Newington Library, London
A Matter Of, curated by Les Buckingham, Aspex Gallery, Portsmouth
Why the Big Pause?, 291 Gallery, London
The Value of Straight Thinking, Old Museum Arts Centre, Belfast
More Jets to More Places, Golden Thread Gallery, Belfast
2000 New Contemporaries 2000, Milton Keynes Gallery, travelling to Cornerhouse, Manchester and Inverleith House, Edinburgh
Fathom, The Study Gallery, Poole, Dorset
North East Open, Waygood Gallery, Newcastle upon Tyne
Anxious Words, curated by Sharon Kivland, Waterstones, Piccadilly
The Poster Show, The Cabinet Gallery, London
1999 Limit Less, curated by Matthew Higgs, Galerie Krinzinger, Vienna
Panoramic, Eagle Gallery, London
Dead White Mail, The Spare Room, New York
Boys Club, Paul Smith mens shop, London
The Poster Show, Gavin Browns Enterprise, New York British Book Artists, The Latvian National Gallery, Riga, Latvia
A Disturbance of Memory on the Acropolis, curated by Sharon Kivland, Centre for Freudian Analysis and Research, London
1998 A to Z, curated by Matthew Higgs, The Approach, London
Forest, The Bull & Last, London
Smalls, Upstairs at the Clerks House, London
Pretty Vacant, curated by Ronnie Simpson and Alan Ball, Artezium, Luton
Streetwalkers, The Bull & Last, London (co-curated with Bob Matthews)
What Difference Does it Make?, Cambridge Darkroom Gallery
Dryll / Pistol, Contemporary Temporary Art Space, Cardiff
Pigeon English, The Bull & Last, London (co-curated with Bob Matthews)
I Love Lucy, The Hockney Gallery, RCA, London
1997 AgB Plus, The Hardware Gallery, London, travelling to the Canterbury Museum and Art Gallery, and the Dean Clough Galleries, Halifax
Words and Pictures, Rochester Art Gallery, Rochester, Kent
1994 Angels of Georges Braque, Bracknell Gallery, Southill Park, Bracknell


2003 - 4 Visions of London, working with Refugee Action and Refugee Womens Association to examine the perception of London held by recent arrivals to the UK
Fantastic Cities, book project for which 20 artists were invited to write a guide to a city they have never visited
2003 Defoe Cars, working with the cab firm resident in Daniel Defoes former home
Good Quote: Art School Marginalia, working with a group of students from Kent Institute of Art and Design using the notes made in the margins of books in their college library
2002 x mistakes y for z , major project in Tallinn, Estonia working with numerous Estonian artists, designers and companies
2001 Index, project centred around Stoke Newington Library, London
1999 A Case of Identity, made in partnership with a police officer at Stoke Newington police station, London and using an interview room there to make a sound piece


2004 Fantastic Cities, published by KIAD ISBN 1-870522-38-9
2003 Good Quote - Art School Marginalia published by KIAD, ISBN 1-870 522-34-6
A Reader, published by DomoBaal Editions, ISBN 0-9544590-0-8
2002 The Destruction of Art, published by AgB ISBN 1-902174-14-3
x mistakes y for z (catalogue) published by AgB ISBN 1-902174-14-X
x mistakes y for z (newspaper)published by AgB ISBN 1-902174-15-1
Contributor to artists pages of Angelaki, Journal of the Theoretical Humanities
ISSN 0969-725X
2001 Follow the Red Carpet, in collaboration with Christiane Baumgartner, published by AgB, ISBN 1-902174-09-7
2000 Contributor to artists pages of In the Place of an Object, special edition of the Journal of the Centre for Freudian Analysis and Research, ISSN 1351-5470
Contributor to Random, collaborative artists book project organised by the Study Gallery, Poole, Dorset
1999 Contributor to Time, UNN Fine Art Press / Vane 99, ISBN 1-90279207-6

2003 Member of the Institute for Learning and Teaching in Higher Education
2002 Gained Distinction in Post Graduate Certificate in Learning and Teaching in Art, Design and Communication at the London Institute
2000 - present Part-time lecturer in Fine Art (Print & Digtal Media) at Kent Institute of Art & Design, Canterbury
2000 - present Visiting lecturer in Fine Art at Sheffield Hallam University
1999 - present Visiting lecturer in Fine Art at University of Northumbria, Newcastle
2003 - present Visiting lecturer on MA Book Arts at Camberwell College of Art, London
2001 - 2002 Visiting tutor in Graphic Design at College of North East London
2001 Visiting lecturer at Tallinn Art Academy, Estonia
2000 Visiting lecturer on BSc Communication Technology, Ravensbourne College
Visiting lecturer on MA Digital Interactive Media, Ravensbourne College